Vinge

Vinge’s Stockholm office: An ambitious project with clear a vision

During the renovation of Vinge’s Stockholm office, all employees were relocated for two years. Before their return, 7,400 square meters spread over 6 floors had to be furnished. Over 300 workstations, a welcoming reception, an auditorium, meeting rooms, a library, a terrace, and a very own bistro were created under the leadership of interior architect Cecilia Andreasson from Thomas Eriksson Architects, Vinge’s office manager Lena Enberg, and interior project manager Jenny Disheden Gran from Lindelöf. Many other suppliers, furniture producers, and partners were also involved in this extensive project.

A clear vision, high ambitions, and competent, communicative project members have contributed to a fantastic result. Everyone agrees that it has been an exceptional collaboration and a very successful project.

The expectations for both function and aesthetics were very high, yet we managed to meet them. We have worked systematically and had a fantastic collaboration. I never felt the need to double-check anything but felt completely secure throughout the entire project. We even moved into our premises earlier than planned, and that is very unusual,” says Lena Enberg, office manager at Vinge.

With tight coordination and close follow-up with all suppliers, 300 workstations and all other furnishings were delivered on time – despite an ongoing pandemic.

Design with clear identity and functionality
Professional and stylish, yet not rigid. Nordic simplicity, but not cold. The color scheme was established early on. The choice fell on a subdued and neutral base that highlights Vinge’s beautiful art collection. With carefully selected and quality-conscious materials, timeless and cozy rooms with perfect acoustics and a welcoming atmosphere have been created.

What makes Vinge’s office unique is that it has been very carefully processed at all levels. The details are carefully designed, and the entire decor is thoroughly thought out. We have meticulously gone through colors, shades, and materials. Nothing is left to chance. The work was allowed to take the necessary time. Vinge has allowed us to maintain the vision and ambition throughout the project,” says Cecilia Andreasson from Thomas Eriksson Architects.

“It has been a large project, and we have made thousands of decisions. Initially, we asked ourselves many questions from different perspectives: What is Vinge, and what is not Vinge? The answers gave us a clear guideline. Now we can see that we have achieved a design and a feeling in the office that is very close to the original idea. It feels welcoming, thoughtful, and stylish!” says Lena Enberg.

We always listen to the culture bearers within the organizations we work with. Who are they today, and what do they want to become? We usually start with an expression in materials and colors and agree on a palette. In this case, it quickly became clear that it should feel serious, yet not rigid. There is something factual in our Scandinavian colors and shapes. Here, we wanted just that, but with a deeper, fuller, and more intense tone,” says Cecilia Andreasson from Thomas Eriksson Architects.

The last weeks went quickly. With the delivery of the furniture, the office grew, day and night. This massive process took shape before our eyes as the furnishings were put in place. It was truly magical!” says Lena Enberg, project manager at Vinge.

The bistro is the heart of the house. There is room for meals, conversations, work, and parties. A place you long to gather in. I felt childishly proud when it was time to move in. It is so dynamic and bold for a law firm. Everything is carefully selected. Nothing is left to chance.” says Lena Enberg.

I have collaborated with Lindelöf on various projects over many years. They are very professional and have a pleasant approach to customers. They build relationships and are personal in just the right way. We really work as a team, and it works well,” says Cecilia Andreasson from Thomas Eriksson Architects.

Lindelöf is a part of the Holmris B8 group